We’re off to the US and Canada next Thursday for six glorious weeks of national parks , painting and walking and I’m knee deep in pre holiday planning. It’s not my usual pre holiday planning though. Having just started up my Patreon page last month I’m really keen to make sure that my wonderful patrons get their monies worth while I’m away so my evenings are spent on the couch with my laptop editing videos, writing up Skill Builder worksheets and scheduling a whole raft of posts for the next 6 weeks.
Usually I’ve packed my bag by now but I haven’t even sorted out what art supplies I’m taking! There are a few piles starting to develop around the house and in the studio so maybe it’s time to fish the suitcase out from under the bed and start piling the piles in!
Just a little overview of what I have scheduled to post this month.
May is Colour Mixing Month!
May will focus on colour mixing and I’ll be talking about colour, demonstrating techniques and giving you lots of ideas to try out!
1st Monday – reference images for the demos later in the month + the Skill Builder and Art Inspiration copyright free reference photos.
2nd Monday- Pastel lesson– this will be a mountain scene with a focus on planning, colour mixing and creating texture.
3rd Monday- Skill Builder worksheet – I’ll be simplifying the idea of using a colour scheme and talking through the pros and cons. There’s a couple of easy but effective exercises with this Skill Builder.
4th Monday – The Acrylic demo and lesson which is an evening scene of an old jetty and some rocks. This will be in 2 parts over 2 days and will build on April’s acrylic lesson. We’ll be exploring graded washes, painting clouds and adding sunset colours to our clouds .
Last Friday – Art Inspiration rewards– I’ll be sending out the hi res images of this months demo paintings for my patrons personal use.
Hints and Tips– there’s a series of hints and tips related to colour mixing sprinkled throughout the month. Mixing neutrals,making greens, avoiding mud and how to get interesting darks will all feature. Also a feature on 5 way thumbnails can really help your art.
A few surprise posts– I hope to post some snippets from my US Canada holiday as my internet connection allows.
Art Challenge– yes there will be another art challenge or two during the month!
There’s nothing like putting yourself out there to make life feel a little risky. I’ve just set myself up on Patreon and made a little intro video to launch my new venture to my public – and I feel a bit wobbly.
What if noone is interested? How will that make me feel? Probably a bit deflated and despondent , maybe it will curtail my enthusiasm for putting so much time and effort into my You Tube channel. The truth is I needed to do it because I would like to improve my video recording and editing but to do that I need better equipment and some up skilling and to do that I need some income which I don’t get from You Tube. So If I don’t put myself out there my videos won’t improve – and if none of my 4360 You Tube subscribers are interested then I guess it means they’re happy with my current production values!
What have I got to lose? Only a little self confidence and a bit of an ego bruising.
As with most things there are pros and cons to taking on painting commissions. Mostly I enjoy the challenge of painting to achieve an agreed result and it’s certainly helped me improve my realism as I’ve taken on new subjects such as aviation art. The downside is not having enough time to explore and loosen up with a bit of experimentation. So now the end of year rush is over I’ve decided to take a break from reality and try a few different approaches and see where they take me.
On my first play date with loosening up I splashed around with acrylic inks on watercolour paper and then added in soft pastels for texture.
This was a lot of fun and you can see me going for it here:
And now I’m adding the pastels:
Of course I haven’t left realism too far behind… there’s clearly sea, sky, headland and rocks. What I have done is forget about the actual colours of the rocks and let loose with the inks adding lots of juicy, vibrant colours. Then I used my soft pastels to reshape some areas , add in a bit of texture and try and bring the whole together into a cohesive painting.
It was energising to paint for the love of painting, to not worry about getting an exact rendition of a scene, to only please myself. At first the jury was out on whether it was a success as a painting but the verdict came in a few days later and I added it to my new larger painting outlet on BlueThumb Art.
Day 8 at the exhibition was a busy day. I made another small handmade watercolour book, did a little pastel painting and tried out a daisy design on a white lamp shade. & more days to go so a few more art projects to go!
The paintings are all up, the opening night went well and the red dots are starting to appear. I’m enjoying meeting people and chatting about the paintings, my travels and beautiful Tasmania. There’s a bit of quiet time so I’m trying to do a painting of some sort each day. I’ve done a few little art books, a couple of pastels and started a small canvas today. Have to admit it’s pretty tiring sitting 2 weeks straight every day so maybe I need to stock up on a stash of chocolate…..
I love the Huon River in all it’s moods. Here it is on an overcast day , full of atmosphere and quiet beauty. The grasses and bushes on the river bank add another layer of interest and texture against the backdrop of misty mountains and gentle reflections.Here’s the reference photo to go along with my YouTube video .( If you want to paint along feel free to use this photo.)
Here’s the video.
…and here’s the pastel set I used ( along with a few Conte sticks for sharper details on the boat.)
Back from holidays and just recovering from the old jet lag which has really hit me this year. Still … I managed to find a few good hours to finish the painting I started 6 weeks ago. It’s always difficult painting an iconic location – the silhouette is so well known that it’s immediately obvious if you get it wrong! So here’s my attempt at the wonderful Cradle Mountain and sunset reflections in Dove Lake, which nestles at it’s foot.
I’ve been coveting a set of Terry Ludwig pastels for a very long time. The trouble is they are quite expensive and you just can’t buy them in Tasmania. So by the time I’ve added postage from the US the “quite expensive” has soared to stratospheric heights of extravagance.
When I retired The Writer kept urging me to spend a little something on myself as a reward for sticking it out so long. I drooled over the full set of Terry Ludwig hand made pastels for some time even going so far as to ADD TO CART to see what the postage was. The message re postage implied I would need to take out a second mortgage to have the 550 set of delicious, buttery, hand rolled pastels delivered to my door. I sighed and deleted from my cart.
Roll forward 3 months and once again I sat up late into the night poring over the various sets on offer. I agonised about the price but I’d just done a couple of commissions and the bank account was looking OK so I decided to choose a small set and treat myself – I don’t think I posted the Easter baskets painting here previously.
I really felt I was due a reward after all those people and baskets . The client sent a black and white photo and asked me to paint it in an Easter pastels colour scheme. I did a lot of googling to work out just what might have gone into Russian Easter baskets and can now give you a full run down from lamb shaped butter sculptures to the plaited Easter breads with baked eggs embedded in the plaits.
Anyway , suffice it to say a feeling of entitlement prevailed. I debated the relative merits of the general landscape set versus the basic values set and then settled on the violet collection before succumbing to the gentle call of the Richard McKinley landscape set.
I love bright colours and have a lot of them so this set wasn’t my first or natural choice but I kept coming back to it because this set is full of all those muted and soft colours of nature that can be hard to find. It’s going to fill a few gaps in my collection from the grey greens right through to the light hues of soft pinks and creamy yellows. I just love Richard McKinleys art and think I can learn a lot by using his chosen colours to add a little restraint to my vibrant palette. Here’s my first painting using just this box.
Already I love these pastels. It’s incredibly hard to find just the right colour for sage brush and here it was – right out of the box!
I’ll keep you posted on my new love affair with 60 square, yet soft and subtle, pastels.