The pre historic artist.

It’s difficult to put into words how and why some art moves me so. I’ve often seen reproductions of pre historic cave paintings and found them interesting. Interesting is such a bland kind of word and accurately describes my reactions to these reproductions. I admired the semi accuracy of the bison and horses, I idly wondered what pigments they used and assumed they painted what they saw in their daily life.

It wasn’t till I visited my first cave with pre historic paintings that I experienced a visceral reaction to the dimly lit animal outlines painted as they were reverently introduced and illuminated by the guide. It surprised me and excited me. It caused me to speculate on the how and why of these ancient works of art. It sparked my imagination in a way I hadn’t expected.

This first cave I visited was Pech Merle and the visit was so memorable  because of the art but also because the guide was the grandson of one of the two boys who rediscovered the cave in 1922 . It was obvious by his reverence for the paintings and his patient attention to seeing that every visitor got a good view of each  that he felt a special connection to the place and the artwork

Image result for pech merle spotted horses

Since then I’ve visited several caves and each time I find myself inexplicably moved by the simple renditions of animals. I wonder what drove ancient man or woman to make torches , grind and mix pigments and then walk deep into a dark cave, using valuable time and resources to carefully create an outline of an animal. To seek out and use rocky contours to suggest the flank or shoulder. To re emerge from the darkness and leave their artistic expressions without an audience.

Cave art in Europe was not done as decoration for living quarters. They didn’t just think ” that wall could do with something to brighten it up” and mix up some water and ochre pigment from the floor and get the kids to do a bit of finger painting. There has been no evidence of occupancy of these caves. So was it for some kind of ritual, part of their spiritual life? Some cave art depicts animals not found in that region at the time the painting was done. This prompts the thought that art knowledge must have been passed down from one artist to another – to accurately depict an animal never seen would be a very difficult task. Was the artist an important member of the clan? Was the art part of initiation ceremonies? My list of questions goes on and on.

I paint for many reasons. In response to a particular light effect, because I want to capture a feeling, to express gratitude for this wonderful earth, to calm my racing mind, to create someting of meaning, to bring joy to self and others. My most burning question is what motivated the pre historic artist. Do we share the same artistic DNA? As I visit each new cave I find it easier to believe that the people who created these paintings were artists foremost , no matter what the role of the art in the social, ritual and spiritual life of their clan. The paintings reflect a delicacy, thoughtfulness and immediacy that I associate with art rather than design.

I imagine one artist teaching another to draw with sticks in the sand, to mix pigments and to make their first treck into a cave . They must have practised many times before their first cave painting as there is an economy of stroke that is only accomplished through repeated practice. Was the artist born or chosen? Was it the role of women or men or was it open to both?

I know the stories of Van Gogh, Da Vinci, of Rembrant and Vemeer and it adds context to their paintings. I long to know the stories of these pre historic artists and in their absence I make my own stories. One day maybe I’ll flesh out my stories and fill a book……

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4 thoughts on “The pre historic artist.”

  1. What a thought provoking post. I have often wondered if my motivation is different from the story-tellers of old. Of course I don’t have the answers to the questions that you pose or indeed that I do but I do share your absolute wonder at the cave art found in Pech Merle and Lascaux both of which I have visited. To be guided by a relative of the discoverer must have been extraordinary. Isn’t that the thing about history that in some sense we need to feel joined to it?

    Liked by 1 person

    1. That’s exactly it. Being in front of the art is so much more compelling than seeing it in a book or on the internet. Feeling a connection to the artist, even though they are unknown, adds layers of meaning.

      Liked by 1 person

  2. Really liked the thoughts you posed in this. I agree that sometimes we cannot articulate why something moves us so much, it is a gut reaction, a spark within our soul, a moment of connectedness to the Universe perhaps. Whatever it is, we are better for it. I look forward to the book. 🙂

    Like

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