Lindy Whitton Studio

I really loathe the expression “point and click”. The word I really object to is point. It’s such a sneery term implying that as the owner of a digital camera with a very good auto function I will simply point my camera at any scene and click away with no more thought than if I were flicking a light switch.

The Writer often extolls the virtues of his digital SLR- talking all that photographer speak of f stops and iso . I remind him that I’m not a photographer, I’m an artist. Red Velvet, my lovely red camera, is simply another artistic tool in my studio and whenever I use her I am most concerned with composition . I NEVER “point” and click.

Sunset Hokitika New Zealand

I could go all technical if I had the inclination , after all I run an MRI unit where I’m constantly concerned about signal to noise, contrast to noise, resolution and image quality. I know how to manipulate factors to improve image quality and provide high quality diagnostic images of the human body. Of course I could learn to manipulate my camera’s many manual features if I wanted to- but the truth is I don’t really want to. There’s been a lot of R&D gone into fine tuning her auto functions and I can tell you they work just fine without ant intervention from me. I’m never going to be one of those people who carry round a notebook and jot down the ISO for this shot and now what does it look like with a  different ISO? Just don’t care! Surprisingly I’ve done some of my best work from less than perfectly focussed or lit photo references!

What I do care about is using my artistic sensibility to frame  in an inspiring way. To see an imperfect scene and crop before I shoot. Of course I’ll keep cropping afterwards because cropping is my friend. …but why would I want to just point when I can frame?

Tuscan evening sky

Taking photos for me is another form of sketching. I’m making little thumbnails of a scene, I take one in portrait, one in landscape, then I move the horizon low …what about if I make it all about the sky and move that horizon really low? I’m already working on the painting that might not materialise on canvas or paper for several years. I’m storing up visual memories that will lay dormant until some time in the future when I search through my archives for inspiration and bang! there are all my thumbnails , the composition options already thought out and one will leap out at me and I’ll be excited because all those memories of being there, on the spot, will come flooding back. If I had just pointed I wouldn’t have the scene so firmly etched in my memory.

Tuscan clouds and wheat fields

That doesn’t mean to say I don’t use a sketch book as well- but sometimes a camera is more convenient. When I’m travelling with The Writer we often hike through amazing scenery and he hikes a lot faster than me! If I were to stop and sketch every sketch worthy scene I would never make the ridge , the top of the mountain or the end of the track. So I take along Red Velvet and frame and click away with just the occasional sketch when we stop for a break. Later that night I’ll make some more sketches after dinner to fix the subject even more firmly in my memory banks.

Italian Dolomites

Monumental rock peaks in the Italian Dolomites

So that’s why I hate that phrase. I don’t judge you if you like to mess about with your ISO and F stops so don’t judge me just because I love the auto functions on my digital camera!